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Catalogues and Books

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  • Earth SOS, Stola Contemporary Arts, Chicago, 2021

  • Momentum, Springboard Arts, Chicago, 2021

  • Ninth Annual Art Competition, Bridgeport Art Center, Chicago, 2021

  • Watercolor USA, Springfield Art Museum, 2020

  • Wild Fragility, works by Beth Shadur and Bonnie Peterson, Ukrainian Institute of Modern Art, Chicago, IL 2019

  • When Sarah Laughed, illustrations, by Allegra Magrisso, 2018

  • Watercolor USA, Springfield Art Museum, 2017

  • Convergence: The Poetic Dialogue Project, Ukrainian Institute of Modern Art, Chicago, IL 2015

  • Water: A Universal Human Right,Women’s Caucus for Art, 2013

  • Cool Globes, 2009

  • Journal of International Conference on Arts in Society, Australia, 2006

  • Words and Images, University of Southern Maine, 2006.

  • Buffalo Carp, Quad City Art Center, Rock Island IL 2006

  • Poetic Dialogue, ARC Gallery, Chicago, 2004.

  • Her Mark, Calendar, WomanMade Gallery, Chicago.

  • ARC Gallery 30th Anniversary Catalogue, March 2003.

  • Wer Weiss Wozu Es Gut Ist—Who Knows What it’s Good For, Kunstforum der

  • Gedok, Hamburg, Germany, p. 21, 2002

  • 30th Annual State Exhibition catalogue, Kansas Watercolor Society, April- June, 2000.

  • Around the Coyote Arts Festival, Chicago, IL, Sept. 7-10, 2000.

  • Colorado ’98, Colorado Springs, CO, March7-April 19, 1998.

  • Boca Museum of Art Florida Exhibition, Boca Museum, Boca Raton, FL 1997

  • Boca Museum of Art Florida Exhibition, Boca Museum, Boca Raton, FL, 1996.

  • Biennial Art Exhibition, Orlando Museum of Art, Orlando, FL, 1994.

  • Artforms ’90, Greater Lafayette Museum of Art , 1990.

  • For the Birds: Artists Examine Aviary Abodes, Wustum Museum of Fine Art, 1990.

  • Beth Shadur: Works on Paper, Wustum Museum of Fine Art, 1989.

  • Twentieth Century Watercolors, Christopher Finch, Abbeville Press, 1988.

  • Art and Cartography, David Woodward, U. of Chicago Press, 1987. p. 5

  • Bureaucratizing the Muse, Steve Dubin, U. of Chicago Press, 1987, p.167-69.

  • Harvest of Freedom: Jewish Artists in America, Louise Yochim, American Jewish Art Club, 1986.

  • Community Murals: The People’s Art, Alan Barnett, Associated University Press, NJ, 1984, p.493.

  • National Watermedia Biennial, Zaner Gallery, Rochester, NY, 1984.

  • The Special Unit: Barlinnie Prison, Its Evolution Through Art, Third Eye Center, Laing & Carrell, Glasgow, 1982.

  • New Drawing in America, The Drawing Center, NY, 1982

  • 33rd Illinois Invitational, Illinois State Museum, Springfield, IL, 1981.

  • Artists in Residence Chicago 1977-1981, Chicago Council on Fine Arts, Chicago, IL, 1981, p.56

  • Art and Cartography, Suzanne Folds McCullough, Art Institute of Chicago, Chicago, IL, 1980.

  • Works on Paper, Esther Sparks, Art Institute of Chicago, Chicago, IL, 1978.

  • Toward a People’s Art, John Weber and Eva Cocroft, E.P. Dutton & Co, NY, 1977, p.14

 

Reviews and Publications

  • “Cool Globes,” North Shore Magazine, June, 2007

  • “Going Global,” Lake County News Sun, June 7, 2007

  • “Coming Full Circle,” Highland Park News, May 24, 2007

  • “Cool Globes Chicago, ” Metropolitan Home Magazine, June 2007

  • “Hands On Art Project is Helping Students,” John Willard, Quad City Times, January 16,2007

  • “NCLB: No Culture Left Behind,” editorial, Quad City Times, March 20,2006

  • “Images of Disturbing Beauty,” Puma Press, Phoenix, AZ. October, 2003. p. 7,

  • “Silver Season: Exhibit Celebrates 25 Years of Visual Arts at Ragdale,” Pioneer Press, Highland Park, IL, March 14, 2002, p. b6

  • “Artists Respond to September 11,” Pioneer Press, Highland Park, IL, February 21, 2002.

  • “Artists Respond to Terrorism,” Pioneer Press, Schaumburg, IL, January 17, 2002. p.B3

  • “Out & About,” Chicago Sun Times, Nov. 24, 2000. p.59

  • “Walls Blooming With Blossoms,” The Denver Post, June 16, 2000.p. 26E

  • “Teachers, Students Produce Lively Show,” The Aspen Times, March 25-26, 2000

  • “Artists Create a Diverse Exhibit,” The Independent, Fort Collins, CO, March 24, 2000.

  • “Shadur Returns to the Art of the City,” Vail Trail, Apr.28-May4, 2000.

  • “Student s Mural Welcomes Gooddall,” Vail Daily, Apr. 22, 1999.

  • “New Gallery Spotlights Local Artists,” Vail Valley Times, Dec. 16, 1998.

  • “Inside Out Art Studio Tour,” Scene Magazine, Vail Trail, Sept. 4-10, 1998, Vail CO.

  • “In “The Secret Garden” Something is Growing,” Glenwood Post, May 29, 1998, Glenwood Springs, CO.

  • “Walls Tell Tales of Diversity,” Hometown Herald, Hollywood, FL, May 25, 1997.

  • “Recent Works of Beth Shadur on Display at VAC,” The Entertainer, News Herald, Panama City, FL, January 31-Feb. 6, 1997

  • “Students Create Community Mural,” The News Herald, Panama City, FL, Jan. 25, 1997.

  • “Deep Water,” Sarasota Arts Review, January, 1997.

  • “JCC Campers Leave Mural as Memento,” Miami Herald, July, 1995.

  • “A Worldly Mural,” Wilmette Life, Pioneer Press, Wilmette, IL, February, 1994.

  • “Mural Project Attracts Students Like Magnets,” Daily Herald, WoodDale, IL, May 1992.

  • “Welcome to our World,” Morton Grove Pioneer Press, March, 1993.

  • “Pictures That Tell Stories,” American Artist, Watercolor Fall 1991 issue.

  • “Deck the Walls, “Ginny Holbert, Chicago Sun-Times, “At Home” February 19, 1989.

  • “Add a Touch of Romance,” Woman’s World magazine, Feb. 14, 1989.

  • “Art Books and Videos,” American Artist, February, 1989, p. 14, 83.

  • “Nature a Backdrop for Artist’s Work,” Pioneer Press, Evanston, IL, July—August, 1988.

  • “Art and Exhibitions: Primed for Politics,” The List, Edinburgh, Scotland, April 15-28, 1988. p.43.

  • “The Arts,” Glasgow Herald, Glasgow, Scotland, April 22, 1988.

  • Artists’ Newsletter, Artic Producers Publ. Co. June 1988, p.16.

  • “Race Street Exhibit Puts Color and Strong Pattern in Focus,” Grand Rapids Press, Grand Rapids, MI, April, 1988

  • “Colorful World of an Artist,” Commercial News, Danville IL, March 6, 1988, Sect. C

  • “Wall Murals Create a Visual Fantasy,” Pioneer Press Papers, March, 1987.

  • Kitchen and Bath Concepts Magazine, January, 1987, “People and Places.”

  • “Four Artists,” Tia Murphy, New Art Examiner, June 1986, p. 44.

  • “Hot Stuff,” Parent Guide Magazine, May, 1985.

  • “Women Helping Women in Art Mentor Program,” Fran Addington, Minneapolis Star, 1983.

  • “Putnam Art Show,” Kathie Beals, Reporter Dispatch, Poughkeepsie, NY, August, 1983.

  • “Shadur Displayed at Gallery,” Tamar Telser, Lake Forest Stentor, April 5, 1983, p.4.

  • “QD Displays Shadur’s Work,” Quincy Herald—Whig, Sept. 25, 1983.

  • “English Painters and American Draftsmen,” John Russell, New York Times, March 21, 1982, p. 31 ff.

  • “Display a Real Work of Art,” Bensenville Voice, Oct. 6, 1982, p. 1.

  • “In Lower Manhattan, Viewing Art is Enhanced by Special Atmosphere,” Grace Glueck, New York Times review of Selections 13, 1981.

  • “Art,” David Elliot, Chicago Tribune, December, 1981.

  • “Early Mapmakers Detailed Their Own Worlds—of Art,” Charles LeRoux, Chicago Tribune, Nov. 18, 1980, Sect. 3.

  • “Artists Fill in Blanks with Marvelous Murals,” Harold Hayden, Chicago Sun Times, Nov. 21, 1980, p.28

  • “Portrait of Young Woman as Artist,” Sandra Parlin, Lerner Papers, Dec. 3, 1980, p.7.

  • “Ravenswood Community to Create Work of Art,” Good News Weekly, June 4, 1980.

  • “Beth Shadur,” review, Doryce Maher, New Art Examiner, April, 1979.

  • “Beth Shadur,” review, Ann Markovich, New Art Examiner, June, 1978.

  • “Community Mural Project,” Lerner Booster Newspapers, January 25, 1978.

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